My articles have appeared in journals such as biography<\/a>, Genre<\/a><\/em>, and Verge<\/a><\/em>, as well as edited collections like The Cambridge Companion to Literature and Economics<\/a><\/em> and Singapore Literature and Culture: Current Directions in Local and Global Contexts<\/a><\/em>.<\/p>\n\n\n\n \u27a1\ufe0f Download Full CV (PDF)<\/a><\/p>\n\n\n\n University of California Press, 2023<\/p>\n\n\n\n for The Cambridge Companion to Literature and Economics<\/em>, 2022<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n for prose.sg<\/em><\/a>, 2018<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n Special issue of ARIEL: A Review of International English Literature<\/em> 49.4, edited by Cheryl Narumi Naruse, Sunny Xiang, and Shashi Thandra, 2018<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n Edited by Nadine Chan and Cheryl Narumi Naruse, 2018<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n in Current Directions in Singapore Literature and Culture: Local and Global Contexts,<\/em> edited by Angelia Poon and Angus Whitehead, 2017<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n in Genre: Forms of Discourse and Culture<\/em> 49.1, 2016<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n Verge: Studies in Global Asias<\/em> 2.1, 2016<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n\n\n\nBook<\/h2>\n\n\n\n
![\"\"](\"https:\/\/cherylnaruse.com\/wp-content\/uploads\/2026\/02\/BGACover.jpeg\")
<\/a><\/figure>\n<\/div>\n\n\n\nBecoming Global Asia: Contemporary Genres of Postcolonial Capitalism<\/a><\/h3>\n\n\n\n
\n
Articles<\/h2>\n\n\n\n
![\"\"](\"https:\/\/cherylnaruse.com\/wp-content\/uploads\/2026\/02\/LitEconCover.jpeg\")
<\/a><\/figure>\n<\/div>\n\n\n\nWriting Postcolonial Capitalism<\/a><\/h3>\n\n\n\n
![\"\"](\"https:\/\/cherylnaruse.com\/wp-content\/uploads\/2026\/02\/proseSG-copy-1.png\")
<\/a><\/figure>\n<\/div>\n\n\n\nCritical Introduction to Lydia Kwa<\/a><\/h3>\n\n\n\n
![\"\"](\"https:\/\/cherylnaruse.com\/wp-content\/uploads\/2026\/02\/ariel_cover_issue_2997_en_US.jpg\")
<\/a><\/figure>\n<\/div>\n\n\n\nLiterature and Postcolonial Capitalism<\/a><\/h3>\n\n\n\n
![\"\"](\"https:\/\/cherylnaruse.com\/wp-content\/uploads\/2026\/02\/socialTextTile-02.jpg\")
<\/a><\/figure>\n<\/div>\n\n\n\nGlobal Asia Periscope Dossier for Social Text<\/em><\/a><\/h3>\n\n\n\n
![\"\"](\"https:\/\/cherylnaruse.com\/wp-content\/uploads\/2026\/02\/currentDirectionsSINGlit.jpg\")
<\/a><\/figure>\n<\/div>\n\n\n\nSingapore as Strategic Location: Setting and Positionality in Goh Poh Seng\u2019s If We Dream Too Long<\/em> <\/a>and<\/a> <\/a>Lydia Kwa\u2019s Pulse<\/a><\/strong><\/h3>\n\n\n\n
![\"\"](\"https:\/\/cherylnaruse.com\/wp-content\/uploads\/2026\/03\/m_ddgen_49_1_cover.png\")
<\/a><\/figure>\n<\/div>\n\n\n\nHwee Hwee Tan\u2019s Mammon Inc.<\/em> as Bildungsroman, or the Coming-of-Career Narrative<\/a><\/strong><\/h3>\n\n\n\n
![\"\"](\"https:\/\/cherylnaruse.com\/wp-content\/uploads\/2026\/03\/vergeCover.gif\")
<\/a><\/figure>\n<\/div>\n\n\n\nBodies That Map: Overseas Singaporeans and the Urban Imagination<\/a><\/strong><\/h3>\n\n\n\n
![\"\"](\"https:\/\/cherylnaruse.com\/wp-content\/uploads\/2026\/03\/biographyCover.jpeg\")
<\/a><\/figure>\n<\/div>\n\n\n\n![\"\"](\"https:\/\/cherylnaruse.com\/wp-content\/uploads\/2026\/03\/interventionsCover.jpeg\")
<\/a><\/figure>\n<\/div>\n\n\n\n